Product Description
Blues guitar teachers, serious students, and blues band guitarists will all enjoy his large collection of 100% pure blues and boogie solos for guitar. Twenty-five exciting solos are presented here, each played over its own rhythm progression.

Every solo is transcribed in both standard notation and tablature, and played note for-note with a full band on the professionally recorded companion CD. Each recorded track contains one chorus of rhythm section only, followed by one chorus with the solo played over the rhythm.

This book is for the guitarist of early intermediate ability level whose interests include authentic, non-commercial blues music, the good stuff that is seldom heard via mass-market channels such as radio and television.

Guitar teachers might use the book to introduce new hand positions, fingerings, chords, and theoretical concepts.

Each solo is made up of many interesting phrases (licks) that can be adapted and incorporated into your own style.

The solos are relatively challenging, and can be used in blues jams and on stage. Prospective buyers are encouraged to use the Search Inside Book feature to examine the contents and music pages prior to purchase.

Another SUPER COOL and USEFUL music book by Larry McCabe and Red Dog Music Books.

25 Razor-Sharp Blues and Boogie Guitar Solos

Popularity: 1%

• Designed by guitarist McCarthy, this collection of lead guitar techniques will help you expand your arsenal and create new ideas for your own blazing solos. Develop arpeggio skills with sweep tap, small 3 string sweep and arpeggio progressions. Learn techniques like bi-dextral scale hammer-ons, pivoting, whammy bar tricks, muted scratching and full neck runs. Add color to your style with violin ef

Product Description
Designed by world-renowned guitarist John McCarthy, this collection of lead guitar techniques will help you expand your arsenal and create new ideas for your own blazing solos. Develop arpeggio skills with sweep tap, small three string sweep and arpeggio progressions. Learn techniques like bi-dextral scale hammer-ons, pivoting, whammy bar tricks, muted scratching and full neck runs. Add color to your style with violin effect, natural flange, sextuplet speed runs, two string speed riffs and much more! Use the backing tracks that are included to help you apply these examples and start using them right away! Features include: iPod-ready video, follow-along tab book, free lifetime membership for online lesson support, authored for Zone 0 and more. 1 hour, 15 minutes

Lead Guitar – Techniques For Creating Solos

Popularity: 3%

Eddie Van Halen is the lead guitarist with a one of the iconic seventies loud and uncouth metal bands. The personalities of the group’s members have always been too individualistic to make for harmonious music, and the world thanks them for that. The personnel changes in the group have always tended to overshadow the music but in this article we will look at what is special about the guitar solos of Eddie Van Halen. Some of his most well-known solos are on the tracks “Eruption”, “Hot For Teacher”, “Mean Street” and on the Michael Jackson track, “Beat It”.
“Eruption” is an instrumental track that features tapping on the guitar fretboard using both the left and right hands. This technique has always been surrounded by controversy because the fans of many guitar players want guitar tapping to be attributed to their idol. Eddie Van Halen himself is credited by many people to be the inventor of guitar tapping technique but Steve Hackett from Genesis was using the technique in the early seventies and two handed guitar tapping can be traced back to Jimmy Webster in the early nineteen fifties. Nevertheless the guitar tapping on “Eruption” helped make Eddie Van Halen a guitar legend, and Eddie himself says he simply got the idea from Jimmy Page’s “Heartbreaker”.
“Hot For Teacher” opens with Alex and Eddie Van Halen competing for our attention like little boys doing handstands for their parents. The video of this track was a babefest directed by David Lee Roth, the group’s vocalist at the time, and was enormously popular with MTV audiences. On this highly theatrical number Eddie played Gibson Flying V, switching pickups as the dynamics of the song changed.
“Mean Street” is a showpiece for a Eddie Van Halen riff. This track also contains drama as the volume of the solo guitar, featuring Eddie simply showing off, starts low and increases menacingly. The riff on “Mean Street” is a classic seventies riff that old men will still be humming fifty years from now.
Michael Jackson got himself two Grammy Awards with the album “Thriller” featuring the song “Beat It”. Eddie Van Halen was asked to play the solo on this song by Quincy Jones, the co-producer of the album. The lyrics feature violence between gangs and Eddie’s guitar solo matched the theme perfectly. The simplicity of the song’s main riff provides a stunning backdrop for Eddie’s pyrotechnics.
It is Eddie Van Halen’s instinctive ability to contrast virtuosity with simplicity that makes him a guitar genius. His unerring use of tremolo in his picking and his penchant for guitar tapping have made him a legend. Eddie used a cheap guitar body fitted with a humbucker pickup, thus proving that the music is in the guitar player, not the guitar. We need to also acknowledge Floyd Rose’s fulcrum vibrato that endowed electric guitar vibrato with a flexibility that the guitarists of the sixties would have envied and which has been a crucial element in Eddie Van Halen’s playing style.

Popularity: 1%

Product Description
This collection of jazz standard chord solos for guitar is compiled from Mel Bay and Warner Bros. collaborations Jazz Guitar Standards Vol. 1 and 2. What makes this work so special is that each artist has personally recorded their solo guitar arrangement. The book comes with the CDs which have all 44 tunes. This book is a wonderful anthology of solo guitar that can be used for performances as well as educational purposes.

Mel Bay Jazz Guitar Standards Chord Melody Solos

Popularity: 1%

When you first think about learning to play blues guitar solos you will be faced with wanting to play the blues like the guitar players of the past, but at the same time you don’t want to just play their material note for note. The sooner you get rid of the idea that you have to be original right off the bat, the sooner you will be really original. By learning the riffs and licks of B. B. King, Eric Clapton or Duane Allman you are giving yourself something to play. And as you play this music that other guitar players have recorded, you are developing your own style. You don’t have your own voice to start with, you need to play other people’s stuff to develop yourself. So put aside your ideas that guitar players start off with their own material, and start learning the solos of whatever guitar players you admire from their records. Learn simple licks at first. The first thing you might discover that surprises you is that the solos of the great blues guitarists is not rocket science. Great music does not have to be hard to play. So you don’t need an amazing guitar technique to start learning blues but you do need to work on how you play. For this you need to record yourself playing. Do it often and listen to it closely. The way you sit or stand as you play, the way you hold the pick, the amount of force you put into your strokes and whether you use up or down strokes. All of these things are important to whether your playing sounds right. If you think you need improvement, get some advice. Ask other guitar players what they think. Do some busking, get some reactions from your audience. Record a video of your playing, post it on YouTube and get some comments. Go on guitar forums, post the link to your video and ask for feedback. But before you do any of that, you need to have some basic guitar chops. I said before you don’t need an advanced technique, but you need to be good enough to play with a little authority. You need to pass your enthusiasm for the music onto your listeners. If you are hesitant and worrying about making a mistake, you need some more hours of practice till you get past that stage. One thing blues guitar solos are not is the guitar player’s effects and equipment. If you want to use a certain sound for your playing, that’s fine but when you are learning solos, concentrate on learning the music, do not worry about the sound at this stage of your learning. After all, when Eric Clapton stopped playing through Marshall amps or using the wah-wah pedal, it didn’t mean he had stopped playing the blues. So a certain guitar sound does not make the blues.

Popularity: 1%

The metal guitar solos are the product of an age when young people use the guitar as a way to vent his anger and at the same time, attract the chicks. These men formed groups with names such as Black Sabbath, Iron Butterfly, Mottley Crue and Metallica. One characteristic of these groups is the guitar solo that was in direct competition with the lead vocalist for the attention of the audience. Metal guitar solos are not that difficult to play as you might think. If you have any experience in learning guitar scales of all types, then there are some materials to work. Blues and rock are the forefathers of metal, so if you know anything about these musical styles will have an advantage when you start to play metal solos. Metal bands promote the image of wild and crazy guys releasing their songs inspired and guitar solos, so a guitarist can do not much training and not much musical talent to play metal guitar solos. In a word, yes. Some bands of heavy metal guitar may have learned three chords and gone to fame and fortune, but do not recall hearing it all. Barre chords, pentatonic scales, memorizing the notes on the fingerboard are all elements of educating the metal guitarist Solo. The first thing you need to know is that the metal guitar solos will cost some money for the team. You will be playing in a solid body guitar, possibly equipped with locking bar blow to keep your guitar in the song during heavy training. To really get into the spirit of heavy metal solos will probably be better off with a Gibson Flying V or a similar appeal to the model. You may also want to consider a model of double-cut guitar to make sure they are playing on other guitarists fret not know existed. Feedback is very important in heavy metal solos as always playing at maximum volume. To improve the solos that will have some basic effects like echo and distortion. The Leslie speaker effect from the days of Jimi Hendrix and David Gilmour has never gone out of fashion and if this is your thing can go for Univibe. For that real touch of authenticity to buy a tube amplifier. Now you have your electric guitar and amplifier to create, what skills you need at your fingertips to play metal guitar solos? Well, hammer-ons, pull-offs and playing are its foundations. Harvesting of scanning makes you sound like a virtuoso, but requires work to learn. The techniques used may be standard, but how it is used then depends on who your model of heavy metal. There is a difference between Jimmy Page and Van Halen. Alternate tunings you may want to experiment with their metal guitar solos are B, who fell BF # BEG # C # and dropped A – AEAdf #-B. You will need heavy gauge strings for these pitches and you may find that they are not really what you want, but it's worth giving them a chance to see how they sound.

Popularity: 1%

Product Description
Easy arrangements with tab of favorites by Albeniz, Granados, Sor, Tarrega, and others. Includes: Cielito Lindo * Lagrima * Leyenda * Malaguena * La Paloma * Salamanca * and more. Also includes a demonstration CD.

30 Easy Spanish Guitar Solos

Popularity: 2%

Description
Here’s a video lesson for players who know the basic chords and want to get started playing blues on the electric guitar. Jim Weider takes it from the top, and shows the easy way to get into playing authentic licks, riffs, rhythms and hot solos.

You’ll learn how to use slides, string bends, hammer-ons and a variety of vibrato styles for an authentic blues feel, along with rhythm grooves, bass lines and other accompaniment techniques. Learning the pentatonic (5 note) blues scale is the key to blues improvisation, and Jim teaches you how to find the notes you’ll need in different positions up and down the guitar fretboard. Before long you’ll be playing leads and soloing with the best of them.

Jim teaches the elements of this powerful American style through the classic licks and solos of some of its key players. You’ll learn, in detail, how to play tunes such as Albert King’s “Going Down,” Elmore James’ “Elmo’s Blues,” Freddie King’s “Hideaway” and Jim’s own “Sugar Cane Blues.” He demonstrates the style of the great B. B. King, showing how he gets his distinctive sound, and covers how to get expression on the guitar with the use of volume and tone controls, pickups, pick attack and other essential information. Each tune covers a different aspect of electric blues playing and provides you with a great solo for practicing the techniques you’ve learned.

The Honky Tonk Gurus, Jim’s recording and touring band, supply plenty of great back-up and help Jim demonstrate how a song should sound when played in performance. This video lesson will help novice players become real electric blues musicians in no time!

Basic Licks and Classic Solos for Electric Blues Guitar

Popularity: 1%

Product Description
This book with CD contains a wealth of time-honored songs arranged for beginning to intermediate guitarists. Many styles are covered including American standards, country songs, blues, hymns and spirituals, calypso, train songs, European standards, children s songs, Christmas songs, Stephen Foster songs, patriotic songs, light classical, and more. These great-sounding solos can be played on any 6 or 12-string guitar. The companion CD contains every song in the book played note-for-note.

Mel Bay’s 101 Easy Fingerstyle Guitar Solos

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I’ve been playing for about 1 year and half and im self taught. Lately ive been trying to play solos to songs such as Stairway to heaven and Master of Puppets. However it seems impossible and fast! I know with enough practice i can hit it though.
Whats the best way to practice/learn these solos?
Any picking techniques I should use?

Popularity: 1%