Popularity: 7%
Popularity: 7%
Popularity: 11%
Product Description
This DVD covers all aspects of Charlie s life and music, featuring interviews with family, friends, fellow Oklahoma jazz musicians and music luminaries like Claude Fiddler Williams, Jerry Jerome and Les Paul. Also included are a large array of musical performances by such guitarists as Herb Ellis, Eldon Shamblin, Zeke Campbell and others.
Charlie Christian- The Life & Music of the Legendary Jazz Guitarist
Popularity: 2%

One of the reasons that people devote their time to learning the guitar is that they love the idea of making up their own songs and music. Simply by sitting down at an inspired moment, a guitarist might come up with a great song in only one session. Some guitar styles differ greatly from another, but it is by learning the jazz guitar that many musicians have experienced the liberty it brings. The deviations in styles that somehow hold to one rhythm and work together in the name of improvisation are why jazz musicians are said to be filled with “soul”.
When training your ear or your mind to learn how the jazz guitar fits into an entire ensemble of musicians, it is important to first know how jazz music works, at the root level. Much like an athlete prepares for a race, a jazz musician also prepares for a performance. The jazz musician needs to warm up, have an introduction, and be allowed to have some time to get used to the atmosphere of a place and an audience. Some musicians, however, especially those who have played a long time together will jump right into a tune without warming up, giving listeners an awakening into what’s about to take place.
A jazz guitarist in a band may or may not lead the group through a melody. Many jazz performances may not have a singer, but instead a trumpet, or some other horn instrument will take this lead. If a horn isn’t present in the ensemble, then the guitar or piano might work to lead a session. Since jazz music is made up of a band, each person in the band has a certain role to fill before they begin their improvisational role. The jazz guitar tends to hold the players together within a certain chord so that other band members can stick to what’s being played. A jazz guitarist in this role, will not necessarily strum a rhythm such as in other forms of music, but will instead move rhythmically with the rest of the players involved.
In the game of jazz music, improvisation is key. If you know how to play another instrument, learning the jazz guitar might be a little easier. And, if you love improvising on the piano, for example, then you might love it on the guitar. “Improv” as it is sometimes referred to, is one way music can be highly addictive and liberating. When that liberation happens with a group who is playing together, the soul and reaction from the audience involved can be magical. Overall, learning to play the jazz guitar will be rewarding on many levels. Learning to play the necessary chords and knowing when and how to strum to the rhythm of others in the group takes time and practice. Give yourself plenty of time and dedicate yourself to listening to and learning how jazz music works and you’ll be on your way to playing along with a jazz group in no time.
Popularity: unranked
Product Description
Jimmy Bruno has played guitar with some of the all time greats, including Frank Sinatra, Barbara Streisand and Elvis Presley. He makes even the most daunting techniques accessible to anyone who wants to learn. Jimmy covers II/V/I progressions, changing chord colors, training hands and ears to work together, natural picking techniques, adding bass lines to chords and much more. No nonsense-just great jazz guitar! Languages: English, French, German, Italian, Spanish
Jimmy Bruno: No Nonsense Jazz Guitar
Popularity: 1%
Product Description
The excellent solos in this book are performance-quality improvisations on jazz-blues standards. If you are a rock, folk, country, or blues guitarist looking to advance to the next level, these solos will help you develop more variety in your phrasing, improved familiarity with the fingerboard, a vastly improved ear, and enhanced conceptual abilities.
The solos are for guitarists with intermediate, or better, skills. Each tune is arranged in standard notation and tablature, and recorded note-for-note on the companion CD.
Solos: Alberta; Careless Love; Corrine, Corrina; Every Night When the Sun Goes In; Hesitation Blues; Jada; Lonesome Road; Make Me a Pallet on the Floor; Nobody’s Business; St. James Infirmary; Sporting Life Blues; Willie the Weeper.
Popularity: 1%
Product Description
Softcover, 91 pages. Transcriptions & Adaptations from the Original Recordings. Transcribed & adapted by David Pritchard. Compilation by Eckart Rahn. Folio Editing by Ronny S. Schiff. Almo Publications, copyright 1980.
Larry Coryell – Jazz Guitar Solos
Popularity: 1%
Product Description
The Master Jazz Guitar Solos program is a fully-featured interactive music program with professional jazz quartet/quintet arrangements of over 50 songs in each Volume. Each song features a jazz guitar solo played by a top studio musician, as well as accompanying piano (comping), bass, drums, and strings.
Volume 1: Beginner, Intermediate, and Advanced Solos
Volume 2: Beginner and Intermediate Solos
Volume 3: Intermediate, Advanced, Comping, and Chord Solos
Volume 4: Intermediate Solos
Master Jazz Guitar Solos Superpak
Popularity: 1%
Product Description
Video and Booklet Set, how to play over changes, turnarounds, special exercises etc
Larry Coryell — Advanced Jazz Guitar Instruction
Popularity: 1%
Product Description
This follow-up to Joe’s best-selling Solo Jazz Guitar DVD explores the blues elements of jazz guitar. Joe covers bebop blues, new chord substitutions, pedal tones, jazz/blues improvisation and much more. As usual, Joe brings wit and style to his invaluable guitar lessons, taking you straight to the heart of the blue side of jazz guitar.
Joe Pass: The Blues Side Of Jazz
Popularity: -0%
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