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What is the most insane guitar solo you've heard? One by Paul Gilbert? Yngwie? Eddie Van Halen?
If you are one crazy play like guitar heroes, this is what you need to start getting good. These kids do not learn these things overnight! Let it directly in front. Shredding, crushing all not only up and down scales, takes years to master. Not only that, but these guitar gurus are always pushing his own playing the limit in their recordings. You can imagine the difficult path that is ahead of you.
32nd Note Legato Careers
Sometime during the only mad, most of our favorite guitarists play abnormally fast 32nd note legato runs. This will be the fastest, the most impressive of the "lay person." We know guitarists fragmentation is much more difficult, although slower.
It is important to develop legato techniques (all hammer-ons and pull-off) over his note-3-per-string scales and pentatonic scales. You want to jump rope, does not extend finger incredible, and of course, full neck legato runs. Listen to Joe Satriani, in particular, and you hear all kinds of crazy legato sequences.
Finger Tapping
For the single most insane, add finger tapping, as pioneered by Eddie Van Halen, but led to a new level today. There are 2, 4, 6 and even 8-finger finger tapping. For the most dramatic effect, learn 8-finger finger tapping and not only in the upper register, more like the middle and upper register combined score. Be sure to use arpeggios and be inventive in their choice note. The most faucets are created with "worldly noise" in the mind, in my opinion.
Shredding
Get your metronome and start increasing your speed until you can play the notes 16 to about 200 beats per second. Guitarists crazy apex not only scales up and down at this speed, but also sweep arpeggios and pentatonic at this speed. Get a book that teaches you all the arpeggios, not only diad.
TETRACHORDS
Throw in tetrachord races. TETRACHORDS require intense finger stretching. These are essentially 4-note-for-word diatonic scales. Tetrachords Type "" in a Google search and you'll find what you want. Charles Gacsi at WholeNote is a great lesson about the theory behind tetrachords.
Guitar Face
If that was not enough just to play a solo technically crazy. . . You need to develop a face worthy of guitar teachers. No facial expression are always required. You must practice in the mirror, start with an original face of the guitar.
Tension and relaxation
Do not be afraid to go outside your comfort zone and experiment. Even beating, "the evil" is doing something right. You're creating tension. Use color to create tension or draw some notes out of scale for the strange tension. Because it will be launched to create a great sense of contrast in listening once you start playing in the key again. For the best pitch, just a simple tune to do. A simple melody repeated within and outside his madness alone will make it a memorable one.

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